I am trying to understand the prevailing ontological horizon [i], and to develop a critical relation to the practices and thought-forms which maintain that order of being. I want to try and move beyond identity politics and fixed subject/object modes of relation, to locate alternative places from which to think about the world and its conditions.

My current work stages a liminal zone of undecidability between the human and the non-human, engaging what Jane Bennett calls 'the mediating screens of subjectivity, cultural formations and perceptual biases.[ii]'  By attempting to think at the limits of the human, I am setting out to test the weakness of the ‘metaphysics of subjectivity’ where the designation of subject is reserved exclusively for (some) humans.

Informed by Adorno’s non-identity thinking [iii] what I am trying to locate in my thought and through my work arises from the idea of a third position, a field - not a spatial register through which things move, but an active constituent of all exchanges, all communications, all assemblages in the Deleuzian sense of that term. 

My work encompasses a range of media and methods. 


 

[i] Judith Butler, ‘What is Critique? An essay on Foucault’s Virtue’ David Ingram, ed., The Political: Readings in Continental Philosophy, London: Basil Blackwell, 2002

[ii] Jane Bennett, ‘The Force of Things: Steps toward an Ecology of Matter’, Political Theory, Vol. 32, No. 3. (Jun., 2004), pp. 347-372.


[iii] Theodor Adorno, Negative Dialectics. Translated by E.B. Ashton, London: Routledge, 1973 (Published in German in 1966)
fiona woods      artist statement >>